This week Andrew Lloyd Webber launched the first taste of Stephen Ward the musical - based on the life of the pimp central to the Profumo affair.
Just as in Jesus Christ Superstar, Webber sought to make a hero out of Judas Iscariot, so here he says he wants to exonerate Stephen Ward:
It's about the life of this man - and how a man who was probably the most popular, most sought after, most urbane - a figure who you really wanted to meet if you were in London - ended up as a waxwork in the chamber of horrors in Blackpool. He was the fall guy for what happened in a whole series of events that spun out of control... but the more you look at the story the more it's quite clear that a lot of things that were alleged to have happened probably didn't happen.
Read moreOnce upon a time, before musicians were "emancipated" from the stability of permanent work and board known as Patronage, the great and the wealthy who employed these musicians sometimes found themselves praised in music. And why not? They were paying for the privilege.
In sharp contrast we have the unusual presentation of music in honour of Queen Elizabeth II's 60 years on the throne. The concert included a variety of acts and a variety of music. It praised many things. But oddly enough, not the Queen herself. Eric Coates' Three Elizabeths Suite is perhaps the last music written specifically to honour a living Monarch. We can play music to a Queen. We can play music in the presence of a Queen. But music for a Queen is something else. In short, it is nothing like the specially composed Jubilee song called "Sing" (by Andrew Lloyd Webber and Gary Barlow).
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